If you are familiar with video editing programs like Adobe Premiere or Final Cut this is a very similar concept. Once you set the In & Out points, you can “scrub” through the timeline, hear the dialog, and begin to animate. This is essentially telling TVPaint how many frames the scene will be.
Once you import the audio track you have to set “Mark In” and “Mark Out” points. ) Early character design sketches by Aaron Blaise of the ancestral ghosts in “Mulan.” I designed and animated the ancestral ghosts and he did an excellent job voicing the main ancestor.
(Side note: I had the opportunity to work with Mr. First I imported the audio which was a recording of my son Dustin doing his best George Takei impression. In the video example above I animated a quick little bit of animation of a lion character. Aaron Blaise prefers to work big in TVPaint. It’s worth noting though that the frame rate and resolution are all settings that you can adjust to suit your needs. Also, since I am typically working on film projects, I work at 24 frames per second. This helps me achieve the feel of drawing on the large 16 field animation paper that we typically used in my Disney days.
#Coloring lines tvpaint 11 full#
I like to use TVPaint in full screen mode on my Wacom Cintiq. There are often many ways to do the same thing and each animator may have their own preferences, but for me, these things get the job done. Just like Photoshop, TVPaint is deep, robust software. First off, I want to stress that this is my approach to using the software.
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